PRESONUS STUDIOLIVE 24 SERIES III PATCH
PRESONUS STUDIOLIVE 24 SERIES III FULL
PRESONUS STUDIOLIVE 24 SERIES III PRO

PRESONUS STUDIOLIVE 24 SERIES III FULL

In our example, weвЂ™ll use a StudioLive 16 - a rack-mountable console with a full 32-channel mixer under the hood. HereвЂ™s where Digital Patching also comes in handy. This works, but now your vocalist must monitor their performance in all its raw glory. You could send a pre-Fat Channel vocal feed to the stage. But compression can rapidly decrease the available gain before feedback from onstage floor monitors. At FOH, you want it compressed and sustaining to enhance the vibrato and better carry the vocal over the mix. This can force you to compromise your FOH sound to contend with feedback on stage. Many digital mixers offer tools to put monitor mix controls in the hands of the musicians on stage but you still must get the audio to their ears. Mix the two channels together to blending Channel 1вЂ™s punchy attack with the fat low-end on Channel 2, to create the optimum kick sound.ДЇOH engineers often have to mix monitors and mains it goes with the territory. This increases the fullness of the kick, yet softens the attack. On Channel 2, set a fast compressor attack and adjust the release to taste. Use your noise gate and EQ to focus on the frequency range of the attack, making it as tight as possible. This will squash the kickвЂ™s LF resonance, leaving it thinner and weaker than one wants from a kick but weвЂ™re going to get that back in a minute. This leaves the initial transient uncompressed, emphasizing the beater attack to punch through the mix.

On Channel 1, dial in a slow attack on the compressor, with a fast release.

PRESONUS STUDIOLIVE 24 SERIES III PATCH

As Analog Input 1 is already patched to Channel 1, simply patch it to Channel 2.ДЄ popular parallel technique is processing one channel for sustain and big bottom-end, and another for attack and punch. For our example, weвЂ™ll patch the kick drum mic connected to Analog Input 1 on a StudioLive 32 touch screen to Channels 1 and 2, as shown in Fig. To begin, patch your kick drum to two channels.

1: Patching made easy, via touch screenДЄ common parallel processing application is kick drum. вЂњMultвЂќ splits in an analog patchbay allow patching a single audio source to multiple destinations simultaneously for parallel processing for tweaking the same source two different ways and then blending them into a new sound.ДЇig. This feature also allows you to freely route audio to your AVB network and record anything youвЂ™d like via USB, so youвЂ™re no longer limited to recording just the 32 input channels and the main mix. This lets users patch any analog input or digital return (AVB, USB, or SD) to any channel and customize their mix configuration.Дigital patching is built into the 7-inch touch screen and UC Surface for both StudioLive Series III console and rackmount mixers, and provide a detailed overview of what sources feed each channel.

With the release of firmware v1.7, StudioLive Series III mixers incorporate the concept of an analog patch bay in digital form. Their purpose is simple: to get audio wherever you want it, whenever you need it, without tracing cables under consoles, through floorboards, and up into the back of audio racks.

PRESONUS STUDIOLIVE 24 SERIES III PRO

Walk into any pro studio or large live sound install, and youвЂ™ll probably find a rack of analog patchbays. Taking Digital Patching Beyond Just Routing

Presonus studiolive 24 series iii